SIRUI Vision Prime 24/35/50mm T1.4 Full-Frame Cine Lens

× Vision Prime Series Full-Frame Cine Lens 15/24/35/50/75/150mm T1.4 – T16 WATCH INTRO Vision Prime Series Highlight Hear from the community T1.4 fast aperture Full Frame Subtle Focus Breathing Short Minimum Focus Distance Outstanding Image Quality 15–150mm Full Focal Range User-changeable Mounts Built for Professional Filmmaking Compact & Lightweight Convenient Operation Highlight Hear from the community T1.4 fast aperture Full Frame Subtle Focus Breathing Short Minimum Focus Distance Outstanding Image Quality 15–150mm Full Focal Range User-changeable Mounts Built for Professional Filmmaking Compact & Lightweight Convenient Operation Film in Motion Packing List Specs Reviews Highlight T1.4 Fast Aperture Full Frame Subtle Focus Breathing Short Minimum Focus Distance Outstanding Image Quality 15–150mm Full Focal Range User-changeable Mounts Built for Professional Filmmaking Compact & Lightweight Convenient Operation Hear from the community Eric Gibaud Photographe Professionnel · 130k Subscribers “The entire range has the gears in the same position, and that’s fantastic. I don’t have to reposition the mount or the entire rig. I really like the bokeh and the light points.” Photolari Journalist · 268K subscribers “They have a very pleasant warm character and soft contrast. They’re more organic, not so clinical or sharp. And the fact that you can change the mount makes them incredibly interesting.” Matt Irwin photographer · 137K subscribers “From my perspective, this is absolutely awesome. I can put this physical lens across all of these cameras, so it’s cool for a production crew or photographer that might have multiple systems and you can use the one lens. These are quality lenses, and for the primary use case, which is cinematographers, this is exactly what they want.” MarkusSenior Filmmaker · 265K subscribers “The SIRUI Vision Primes have become my favorite lenses, especially when I pair them with the DJI gimbal system. A lightweight full-frame trio built for creators, filmmakers, and solo shooters. If you want outdoor shots that feel cinematic but still remain friendly, this combo is hard to beat.” < 1 / 5 > T1.4 fast aperture More light can pass through the lens when the iris is fully open to suit different situations. In low-light conditions, it enables shooting with natural light, making shooting easier and more flexible by utilising less artificial lighting. Capture high definition imagery with edge to edge sharpness even with the iris wide open. 12 aperture blades of 24mm/35mm or 18 aperture blades of 50mm design and T1.4 fast aperture deliver round and creamy bokeh, instead of onion ring bokeh, easily separating the subject from the background. Full Frame The lineup covers full-frame and select large-format cameras, pairing with mainstream mirrorless and cinema cameras to deliver outstanding image quality with no vignetting. 46mm Vision Prime Image Circle 43.3mm Full-Frame Image Circle Subtle Focus Breathing Minimal angle-of-view shift, virtually unchanged edges, and subtle focus breathing during focus transitions. 24mm 35mm 50mm 75mm Short Minimum Focus Distance 15mm 24mm 35mm 50mm 75mm 150mm 15mm: Minimum Focus Distance 0.3m 24mm: Minimum Focus Distance 0.26m 35mm: Minimum Focus Distance 0.3m 50mm: Minimum Focus Distance 0.43m 75mm: Minimum Focus Distance 0.75m 150mm: Minimum Focus Distance 0.29m Outstanding Image Quality Aspherical Lens Reduce weight, control chromatic aberration and chromatic dispersion. ED Glass Sharp image with accurate color. HRI Glass Reduce stray light and improve light transmittance. 15mm 24mm 35mm 50mm 75mm 150mm Aspherical Lens 3 1 1 / 1 / ED Glass 1 4 4 4 1 3 HRI Glass 4 3 3 3 4 3 15–150mm Full Focal Range 15mm 24mm 35mm 50mm 75mm 150mm 15mm is a lens suitable for capturing wide scenes. It lets you fit more into the frame even when shooting up close, making it great for landscapes, architecture, and creative shots with strong perspective. 24mm is suitable for landscapes,indoor,street, and wide-angle shots. 35mm is suitable for portraits, humanistic, food, stills, and posed shots. 50mm is suitable for portraits, close-ups, long-distance shooting, background compression with telephoto lenses, as well as creating bokeh effects. 75mm is suitable for portraits and medium-telephoto shots. It gives a natural compression, pleasing background separation, and is great for capturing subjects with a more intimate, focused look. 150mm Macro is suitable for close-up and medium-telephoto shooting. It allows you to capture fine details at high magnification while also working well for portraits, products, and compressed-perspective shots from a distance. User-changeable Mounts SIRUI's patented design with native Sony E-mount and included RF, Z, and L mounts-no shims required. One lens covers mainstream mirrorless systems, combining rock-soblid stability with the flexibility to switch between camera systems. E-Mount L-Mount RF-Mount Z-Mount Built for Professional Filmmaking Covering ultra-wide, standard, mid-telephoto, and tele-macro focal lengths, this lineup meets various shooting needs-from landscapes and humanistic shots to portraits, stills, portrait moods, and produc close-ups. With a consistent optical look and industrial finish, it delivers a complete cinema lens ecosystem. Narrative Filmmaking For Filmmakers & Directors Commercial Filmmaking For Commercial Production Teams Travel & Documentary For Travel Creators & Documentarians Event Filmmaking For Wedding & Event Filmmakers Product Filmmaking For Product & Brand Creators Content Creation For YouTubers & Social Creators Compact & Lightweight Crafted from aluminum alloy, all lenses are similarly lightweight and easy to carry.*Weight may vary slightly by lens model and mount. Convenient Operation Identical Gear Position Simplified Adjustment 270° Degree Focus Throws Smooth and accurate focus changing Dual Scale Imperial / Metric Triple Protection Resistant to Dust, Dirt, and Splashes Film in Motion Cinematic Commercial Travel Film Short Film Documentary Packing List Single Lens Lens × 1 Package Box x1 Rear Lens Cap x1 Front Lens Cap × 1 User-changeable Mount x 3 Screwdriver x1&Screw x8 Strap x1 Warranty Card x1 Lens Kit Lens x3 Lens Case × 1 Rear Lens Cap × 1 Front Lens Cap × 1 Lens Cleaning Cloth × 1 Warranty Card × 1 User-changeable Mount x 9 Specifications Lens Model 15mm T1.6 Cine Lens 24mm T1.4 Cine Lens 35mm T1.4 Cine Lens 50mm T1.4 Cine Lens 75mm T1.4 Cine Lens 150mm T4 Cine Lens Frame Full Frame Full Frame Full Frame Full Frame Full Frame Full Frame Focal Length 15mm 24mm 35mm 50mm 75mm 150mm Max Aperture T1.6 T1.4 T1.4 T1.4 T1.4 T4 Min Aperture T16 T16 T16 T16 T16 T22 Lens Structure 17 Elementsin 12 Groups 14 Elementsin 11 Groups 14 Elementsin 11 Groups 14 Elementsin 11 Groups 16 Elementsin 12 Groups 16 Elementsin 12 Groups Aperture Blade 12 12 12 18 18 13 Shooting Distance 0.3m - ∞ 0.26m(0.85ft) - ∞ 0.3m(0.98ft) - ∞ 0.43m(1.41ft) - ∞ 0.75m - ∞ 0.29m - ∞ Minimum Focus Distance 0.3m 0.26m 0.3m 0.43m 0.75m 0.29m Focus Method MF MF MF MF MF MF Max Magnification 0.08（1:12.5） 0.15 0.162 0.15 0.11（1:9.09） 1.5X FOV 98.1° (V)74.33° (H)109.3° (D) 52.06° (V)71.82° (H)82.93° (D) 39.6° (V)57.1° (H)66.3° (D) 28.114° (V)41.22° (H)48.758° (D) 26.83° (V)17.88° (H)32.34 (D) 9.12° (V)13.59° (H)16.26° (D) Filter Size(mm) M77×0.75 M67×0.75 M67×0.75 M67×0.75 M67×0.75 M67×0.75 Focus Ring Rotation Angle 270° 270° 270° 270° 270° 270° Max Dia(mm) 80 80 80 80 80 80 Focus Ring OuterDiameter(mm) 80/3.15 80/3.15 80/3.15 80/3.15 80/3.15 80/3.15 Aperture Ring OuterDiameter(mm) 75.2/2.96 75.2/2.96 75.2/2.96 75.2/2.96 75.2/2.96 75.2/2.96 Length (mm/inch)(Not Include Lens Cap) E Mount: 107/4.21RF Mount: 105/4.13L Mount: 105/4.13Z Mount: 109/4.29 E Mount:107.2/4.2L Mount: 105.2/4.1RF Mount:105.2/4.1Z Mount:109.2/4.3 E Mount: 106/4.2L Mount: 107/4.2RF Mount: 104/4.1Z Mount: 104/4.1 E Mount:102.2/4.0L Mount: 100.2/3.9RF Mount: 100.2/3.9Z Mount:104.2/4.1 E Mount: 96.7/3.81RF Mount: 94.7/3.73L Mount: 94.7/3.73Z Mount: 98.7/3.89 E Mount: 146.6/5.77RF Mount: 144.6/5.69L Mount: 144.6/5.69Z Mount: 148.6/5.85 Weight (g/lb)(Not Include Lens Cap) E Mount: 607/1.34RF Mount: 620/1.37L Mount: 607/1.34Z Mount: 620/1.37 E Mount: 597/1.3L Mount: 604/1.3RF Mount: 611/1.4Z Mount: 611 /1.4 E Mount: 590/1.3L Mount: 593/1.3RF Mount: 606 /1.3Z Mount: 607/1.3 E Mount: 599/1.3L Mount: 601/1.3RF Mount: 613/1.4Z Mount: 613/1.4 E Mount: 599/1.32RF Mount: 613/1.35L Mount: 600/1.32Z Mount: 613/1.35 E Mount: 715/1.58RF Mount: 730/1.61L Mount: 715/1.58Z Mount: 730/1.61